WORK

WORK. It's what we do, what we obsess over, celebrate, complain about, get paid for. We may call it Art, but it's still work. Particularly for creative types, where we do our work must have something to do with how it turns out, for better or worse - yet we rarely get to see behind the curtain.

We would like you to share something about your special place where creativity blooms. So where do you work?
Showing posts with label home. Show all posts
Showing posts with label home. Show all posts

Wednesday, August 21, 2013

WORK - LIVE - GO!

A study in restraint
Architectural student Hank Butitta was tired of designing buildings that weren't real for clients that didn't exist. He wanted to do something real, to work with his hands and put his ideas into practice, so he bought a used school bus and converted it into a clean, modular live/work environment. He presented his bus for critique - complete with a kitchen, bathroom, beds, storage, and even a floor made from recycled gymnasium maple. Imagine his fellow students, with cardboard models, digital fly-throughs and paper renderings - I'll bet Hank's crit put some of them to shame.
 After his final presentation,  Hank and his co-conspirators left  for a 5,000 mile tour heading West. Summer's winding down, but they have just about reached the halfway point. 
On the Road Again
We applaud the practical ingenuity of a student stretching the conventional boundaries of study. His modular work/live space is well thought out and neatly executed - bravo to Hank.
 
You can see more photos, video, and follow their travels over at Hank Bought a Bus. (via Home Designing, Gizmodo, Le Monde Tue Nini)

Friday, April 19, 2013

Finding a Home for a Dream House

 This week we are pleased to have a guest blogger and accomplished journalist with a personal story to share.
By Hilary Abramson

They call it The Wisteria House.

Near the edge of the Sacramento River, vines the size of an elephant’s leg twist around even thicker poles from berm to trellis.   Bare-root in the winter, they create a lattice against skylights through which the sun warms aggregate floors.  Spring’s purple blooms reserve their show for the flat roof, since most of the energy goes into the green canopy that cools everything down come summer.
It has taken more than three decades to create this sustainable umbrella. Now that it is done, it is time for me to leave.  The dream is fulfilled. It is the right time to pass it on to someone who will likewise love, respect and care for it.

This is the house that Brent Smith designed.  An artist at heart (and former Sacramento high school art teacher), Brent might be the only California home designer to have a bronze plaque in a park across from City Hall: “Brent Smith, humanitarian,” it reads. “He truly believed that we were here to transform matter into spirit and touch the soul.” 

When he was killed by a city bus in 2002, Brent was 61 years of age and perhaps best known for designing the downtown Quinn Cottages homeless village to which he donated his time and money. He also created the Rumsey Wintun Tribe Village as a multigenerational development and other homes in northern California.

But it is Sacramento County’s first passive-solar, Wisteria House – built in 1978 -- that is probably his most widely published design.
Brent and I had met two years earlier in his University of California, Davis, extension course on building and designing your own, small energy-efficient house.  A Jersey girl to whom “do-it-yourself’ meant doing your hair without help from a professional, I enrolled on an impulse. Once in the sway of Brent’s intensity and philosophy of living, his obsession became mine.

Those were the days of “small is beautiful,” and Brent walked the talk. He believed homes should be “sacred” and reflect “vocabulary” of their surroundings without imitating other designs.  He preached designing homes with expansion in mind.  Design what you need, he’d say, in a way that offers multiple use of space and provides with integrity of design for adding square footage for children and/or elders.  Why build huge spaces and waste precious energy heating and cooling them for one or two people?  How many American dining rooms sit empty while a couple eats in the kitchen or den?

The Wisteria House, for instance, is 1,065 square feet of open space with insulated, moveable shojis, several of which lift out to create space for the dining area to seat up to eight people. In place, those moveable doors offer privacy for a second bedroom/study off the dining room.  The foundation of 36 poles deep in cement was separately engineered for earthquake and flood and remains level today.  Brent’s vision for more than two, pared-down dwellers was to add another story. 


Those were the days when farmers and only a few urban individualists willing to deal with wells, septic tanks and floods lived off the Garden Highway, a two-lane road separating the Sacramento River from riparian and farmed fields. I bought three-quarters of an acre two miles north of the Elkhorn Boat Dock, and when Brent’s course was over, I asked if he would design a small, pole house that would put us “above the flood.”

On retreat at California’s first commune—Ananda in Nevada City—Brent met the head of its construction company.  These builders meditated after their lunch breaks and you could eat off the planks they cleaned at the end of each day.  They named the house “Haridasi” (daughter of God) and to this day, “J’ai Guru” (long live the Guru) remains carved in the cement holding the country mailbox.

Despite this backstory – and a redwood hot tub in the master bedroom/bath area under a dome-shaped skylight—the house is timeless. Many visitors have remarked that it feels like combination of a New York City penthouse and a coastal Sea Ranch house.

My favorite touches:  Water running down Japanese chains inside plexi-glass downspouts; the plexiglass overhang keeping the front doorway dry and allowing full view of the wisteria-protected entrance; the ability to close the house “like a box” against too hot or too cold weather via counterbalanced, vertically drawn window shutters and hanging, insulated doors; standing in the hottub watching flames in the fire stove – and the sun going down over the river.

The Wisteria House has had many admirers.  In 1982, Architects David Wright and Dennis A. Andrejko featured it in a six-page spread in Passive Solar Architecture, logic & beauty (35 Outstanding Houses Across the United States).  That same year, Sunset magazine showed it off in two pages.  In 1983, Fine Homebuilding magazine took six pages to describe the house and how it “works.”

It is my hope that the next occupant keeps the spirit of The Wisteria House in tact. There are enough McMansions on the river.

As Brent wrote in 1996 in Dialogues with the Living Earth (New Ideas on the Spirit of Place from Designers, Architects & Innovators), “We just can’t afford to continue building unlovable buildings, towns and cities.”



Hilary Abramson is a long-time California journalist.  An award-winning staff writer at Sacramento’s two mainstream, daily newspapers for nearly 20 years, she was known particularly for news-feature profiles of movers and shakers in the capital and of people living on the under belly of California. She has also been managing editor of the venerable Pacific News Service, a health policy investigative reporter,  a public radio contributor, and consulting researcher/writer for nonprofits and foundations.  Priding herself on finding stories before the pack, Abramson has placed freelance work in The Los Angeles Times, New York Newsday, The Oregonian, The San Francisco Chronicle, San Francisco Magazine, and others.

Hilary can be reached at hilaryea@juno.com

Realtor Maggie Sekul can be reached at (916) 341-7812  www.maggiesekul.com  For a virtual tour   http://tours.us360.info/public/vtour/display/70055?_a=1&_b=1&_l=1

Thursday, May 31, 2012

They say there's always magic in the air...

New York is expensive - one thin dime won't even shine your shoes. Poor creative types are always striving to live there - if you can make it there, you'll make it anywhere. Here's just such an architect, managing nicely in less space than it takes to park a Mini Cooper.
Admittedly, we'd rather have a bit more room than this, but applaud Luke for making it so.





Architects used to require layout space for plans that would eclipse this apartment size. The advance of laptop computers allows Luke to work where he lives, on the smallest of table tops.



You can see more (though there's not much more to see) by going here-
Luke Tyler's 78 Square Foot NYC Apartment

Wednesday, August 24, 2011

Working Outdoors

As summer winds down, Herman Miller Lifework posts a question and a roundup of  outdoor work spaces. An Aeron Chair in a zen garden looks pretty sexy in a photo; but could you actually do computer work there? Let's hope the sprinkler timer is off!

Get the full story HERE
 Here at Whereuwork we remain uneasy about knitting widely different work and leisure activities together. Is anything gained by 'working' on an ipad in a park? We suspect that both realms are diminished - one's appreciation of nature as well as one's ability to do meaningful work. Multitasking can be overrated.

Thursday, August 11, 2011

How Skinny can you go?

Keret House, Warsaw
 With much of this country reeling from McMansion overload, designers have focused on going small for home and office. But Jakub Szczesny takes it to a new level with his Keret House in Warsaw, Poland. It is so small, so narrow that it defies description. We like that he called it an art project and thereby avoided building codes - Art Power! The question remains - how much is too little? Could you really live or work here without flipping out?

Get the full story HERE