WORK

WORK. It's what we do, what we obsess over, celebrate, complain about, get paid for. We may call it Art, but it's still work. Particularly for creative types, where we do our work must have something to do with how it turns out, for better or worse - yet we rarely get to see behind the curtain.

We would like you to share something about your special place where creativity blooms. So where do you work?

Friday, March 30, 2012

Working from a Boat

Measuring the Heartbeat of a City
David Byrne always seems to be at least a step or two ahead of the curve. He's not an urban planner, but he sure could teach a thing or two to those who are, simply from his powers of observation. His book "Bicycle Diaries" holds great insights gathered while pedaling his bike in cities around the world.

Recently he reported from London that the tempo of that city seems to be about 122 beats per minute. How did he get that? Some lightweight field recording gear, a walk around the city with a simple video camera, sound and video editing, a little studio music overlay and viola - a lovely little piece of urban art.
There is more to this story and you can find it HERE.
David Byrne is a well-known creative genius, founder of the Talking Heads, writer and keen observer.

Wednesday, November 30, 2011

Wherever you go, there you are.

Looking at the Creative Caves where people do their work, we are drawn to those who buck convention and do it wherever they happen to land. No ergonomic studies, market research, triple-net leases, office furniture, telephone systems, alarms, professional liability insurance, ad nauseum. Some people simply leap into the void and find their calling. And it's thrilling when it works, as in the case of Alison Turner.

It seems Alison was a slave to her Blackberry and the treadmill of unseemly corporate life. In spite of the great pay, she threw off the yoke and hit the road, stumbled alone in the wilderness for a time, then found herself a new life's purpose. It's a beautiful story - maybe a fantasy for most - but there is wisdom in striving to live up to this simple axiom:

"Every day, try to do something that you love."







You can read all bout Alison and see her great photos here:  http://www.alisonslife.com/

Thursday, November 10, 2011

The Italian Job


Bicycle component maker Campagnolo has manged to avoid the exodus to China that seems to drive all business, like lemmings, to seek the cheapest possible labor. Italian craftsmen, each at their own stations, continue to craft the finest racing components in the world from their bright and airy plant in Vicenza.
Campy has a very loyal following, largely due to the gorgeous, sexy and sensuous quality of their racing products. We like their adherence to old-world standards, and not just from a nostalgic viewpoint Campy, like Ferarri or Rolex, remains THE world standard for quality and innovation in the cycling world.


Get the full story here - BICYCLING

Wednesday, September 7, 2011

Staffs & Chaffs

Doug & his Tres
Doug Pauly draws creative inspiration from many sources. A working musician for three decades, he is a gifted jazz guitarist, a skilled transcriber and a great teacher. We asked about his work space and got a very complex response that raised more questions than it answered - so we decided to investigate further.
Doug & his grass weaving
 For decades the New Yorker magazine's weekly night-life calendar has famously cautioned, "Musicians live complicated lives..." This is true in Sacramento as well as in the Big Apple. Just try pinning Doug down on his favorite workplace. That might be on a bandstand with a dozen musicians working behind a noted singer; it might be a solo stool in a cool night club; it might be his compact lesson room at the Guitar Workshop; or it might be his cozy little home studio. Then again, it might be the cemetery where he walks the dog and hums little ditties that eventually turn into jazz tunes. OK, too complicated for a simple little blog - let's look at the home studio.

The Home Studio
Doug's studio is comfortable, compact and ergonomically suited to his needs. A Mac computer is front & center, the heart of his transcription operation. He has written charts for hundreds of jazz standards and pop tunes and is sought out by many professional musicians for this specialty.
Custom-built book cases hold decades of accumulated music. There's room for one guitar stand (currently occupied by his "Tres" a guitar-like instrument of Cuban origin), as well as one visitor seat and a bit of recording equipment. And there is his all-important "window on the world" opening to the verdant garden yard. 
The phantom Grass Studio
We took a stroll in the garden where Doug showed me his weaving studio in a converted garage. The guitarist is also a grass weaver! He harvests California native grasses, weeds and grains and transforms them into complex and elegant wall hangings.

Staffs & Measures

Shafts & Grains
It turns out that scoring music and weaving grasses are not so very far apart, artistically speaking. There's a steady measure, rhythm and texture to each kind of art - from a visual viewpoint. And aurally speaking, clear and complex guitar fingerwork blends nicely with the soft rustling of wild grasses.

Doug Pauly is an accomplished musician and weaver residing in Curtis Park, Sacramento. His music can be heard at DOUG PAULY

Wednesday, August 24, 2011

Working Outdoors

As summer winds down, Herman Miller Lifework posts a question and a roundup of  outdoor work spaces. An Aeron Chair in a zen garden looks pretty sexy in a photo; but could you actually do computer work there? Let's hope the sprinkler timer is off!

Get the full story HERE
 Here at Whereuwork we remain uneasy about knitting widely different work and leisure activities together. Is anything gained by 'working' on an ipad in a park? We suspect that both realms are diminished - one's appreciation of nature as well as one's ability to do meaningful work. Multitasking can be overrated.

Wednesday, August 17, 2011

Letterpress Fetish

Letterpress printing has a cult status among graphic artists. It is mythical, reaching back in time to when printing was a very physical act - before the clicking & dragging disconnect of digital art and web pages.

Paul Shaw from Print magazine recently spent a weekend near Milan with Lucio Passerini, an Italian typographer of some reknown, and he wrote up a nice non-print profile of their visit. What Whereuwork likes so much about this report is the focus on Lucio's workshop - Il Buon Tempo - the physical space where he creates.

Type Banks
My childhood Saturdays were often spent playing in the pressroom of a weekly newspaper. My father was editor, reporter and chief bottle-washer in a pre-offset world. The smells of molten lead, ink-soaked wood and crisp newsprint come rushing back to me, looking at this photo.I long for the physical constructs of the printed word.

Get the full story here - IMPRINT


Thursday, August 11, 2011

How Skinny can you go?

Keret House, Warsaw
 With much of this country reeling from McMansion overload, designers have focused on going small for home and office. But Jakub Szczesny takes it to a new level with his Keret House in Warsaw, Poland. It is so small, so narrow that it defies description. We like that he called it an art project and thereby avoided building codes - Art Power! The question remains - how much is too little? Could you really live or work here without flipping out?

Get the full story HERE